Alice and Alba Rohrwacher at MoMA

A tribute to two careers, two visionary paths through contemporary international cinema. That’s what the MoMa in New York and Istituto Luce-Cinecittà envisioned and organized with “The Wonders: Alice and Alba Rohrwacher

Cinecittà: a landmark space for the audiovisual arts

An immersive and visionary museum to be inaugurated in Cinecittà by collecting the audiovisual heritage of Luce, Rai Teche, and the Cineteca Nazionale: that’s MIAC – Italian Museum of Moving Images

"Il varco", diary of a Russian soldier in the Russian campaign

After Il treno va a Mosca, Federico Ferrone and Michele Manzolini come back with an editing moving on our history. 

The exhibition at MIAC

MIAC, the new Italian Museum of Moving Images is opening in the Cinecittà studios in December. A place to recover or discover our collective imaginary, where visitors will get to know and live the history and evolution of the most powerful art, born over one century ago: the audiovisual

Academy and Luce join forces for Italian cinema

The Academy Museum of Motion Pictures, to be inaugurated soon, has just announced that Istituto Luce-Cinecittà has officially become one of his Founding Supporter. 

Franco Maresco: Neomelodics for Falcone and Borsellino

The famous photographer Letizia Battaglia wipes out polemics and the ins and outs of the new movie of Franco MarescoLa mafia non è più quella di una volta

“Selfie”, millennials at Rione Traiano

SelfieAgostino Ferrente’s Berlinale Panorama-selected documentary, is based on real events. During the summer of 2014 at Rione Traiano, one of Naples’ most difficult neighborhoods, 16-year-old Davide Bifolco gets killed by a cop who mistakes him for a fugitive

John Turturro stars in Cinecittà-set “The Name of the Rose”

“We’ve been very faithful to the descriptions of the book and to the drawings of Umberto Eco in the design of the set. We just took some liberty with the abbey as we decided to make it more magical and less harsh, inspired by a rich and mature gothic style.” This is how Giacomo Battiato, director of international series The Name of the Rose, comments on his work.

Bertolucci, the last interview: between Marlon Brando and the “big nipple”

A train is running towards the audience, red flags wave around the stem: it’s a scene of Bernardo Bertolucci’s 1900 that was never edited and that the director gave Mario Sesti as a present after a Q&A with the Italian critic at the Rome Film Festival