In Rome, where he is a prisoner, Saul converses with young people on the acceleration of history (the great wheel that often appears in the film), power, corporate corruption, class consciousness, death, sectarianism, utopia , the recovery of the sense of the flesh, freedom. In this dialogue and non-fiction setting, Toti keeps the story of the saint “in costume” and traces them with some flash-backs and flash-forward orchestrating a parable of lunges in the contemporary. A metahistorical film and a cinematic destination on the life of Saul of Tarsus.