Genre Documentary

Director Agostino Ferrente e Giovanni Piperno

Country, yearItaliana, 2013

Runtime 88'

Technical specs HD, DVCAM, SUPER 8

Production Pirata Manifatture Cin.Che, Bianca Film, Parallelo 41

Release date 2013

Status Pronto


Cinecittà rights Theatrical Italy, International rights sales, Domestic rights sales

Federica Di Biagio

Theatrical film and documentary distribution

f.dibiagio@cinecitta.it

+39 0672286271

Simona Agnoli

Sales & Business Developement, Films and docs

s.agnoli@cinecitta.it

+39 0672286437

Documentary

Le cose belle

by Agostino Ferrente e Giovanni Piperno
Theatrical Italy
International rights sales
Domestic rights sales
Info

Genre Documentary

Director Agostino Ferrente e Giovanni Piperno

Country, yearItaliana, 2013

Runtime 88'

Technical specs HD, DVCAM, SUPER 8

Production Pirata Manifatture Cin.Che, Bianca Film, Parallelo 41

Release date 2013

Status Pronto

Cinecittà rights

Cinecittà rights Theatrical Italy, International rights sales, Domestic rights sales

Federica Di Biagio

Theatrical film and documentary distribution

f.dibiagio@cinecitta.it

+39 0672286271

Simona Agnoli

Sales & Business Developement, Films and docs

s.agnoli@cinecitta.it

+39 0672286437

“Maybe time doesn’t exist. It is merely a popular belief, a superstition, a song. You spend all your time waiting, and then all of a sudden, just remembering. So will the beautiful things ever arrive? Or have they already been?” A ‘film of the real’ shot over 13 years, recounting the hardship – and the beauty – of growing up in Southern Italy. Adele, Enzo, Fabio and Silvana are shown in two crucial periods of their lives: as youngsters in a Naples full of hope in 1999 and then on the cusp of adulthood ten years later, in a documentary mash-up of film time and real time. All set in a city seething like magma, where good and evil are always so, so close, shaping the complex course of human lives. When Ferrente and Piperno made their 1999 film Interview With My Mother, a documentary for Rai Tre about fragmented adolescent lives, the four protagonists were asked how they saw their future: they answered with eyes radiant and brimming through the still vivid dreams of youth, and with that Neapolitan self-irony that helps defuse and erase the storms of life. At the same time, those eyes told of profound disenchantment. Maybe because catastrophe is always around the corner living in Naples: it’s a threat – and also an alibi – that fills Neapolitans’ lives with resignation. Adele, Enzo, Fabio and Silvana: it’s as if they already knew this, by instinct and upbringing. Ten years later, the Naples of the cultural renaissance that attracted artists from around the world has become a city submerged in rubbish. The directors went back to the four kids and filmed them for about three years: self-irony has given way to stark realism and they don’t believe in the “beautiful things” anymore. Or maybe they’ve learned not to look for them in the future or the past but in the present. The fleeting present, lived with that broken-hearted yearning in the endless daily struggle for a decent existence; or better still, lived with resistance to the hardship and the difficulties, but somehow with dignity and beauty. And so we find them often swimming against the current and sometimes being carried away.


Festival

FESTIVAL TERRA DI CINEMA 2014: Compétition Documentaires ANNECY CINEMA ITALIEN 2013: Compétition Documentaire – Premio della Giuria Liceali INCONTRI DEL CINEMA ITALIANO DI TOLOSA 2013: Documentaires – Mention spéciale LA BIENNALE DI VENEZIA 2012: Giornate degli Autori – Venice Days, Venice Nights