Benigni 70
Cinecittà Celebrates 70 Years of Roberto Benigni with 3 Surprising Footage from the Luce Archive and a Special Section on CinecittàNews
Cinecittà Celebrates 70 Years of Roberto Benigni with 3 Surprising Footage from the Luce Archive and a Special Section on CinecittàNews
Vanessa Beecroft has accepted the invitation of President Chiara Sbarigia to create a site-specific performance at Cinecittà that sees the women of Rome as protagonists.
10 short films, 10 gems from the Luce Archive on air on Sky TG24 to narrate the history of the Venice Film Festival.
A tribute to two careers, two visionary paths through contemporary international cinema. That’s what the MoMa in New York and Istituto Luce-Cinecittà envisioned and organized with “The Wonders: Alice and Alba Rohrwacher”
An immersive and visionary museum to be inaugurated in Cinecittà by collecting the audiovisual heritage of Luce, Rai Teche, and the Cineteca Nazionale: that’s MIAC – Italian Museum of Moving Images
After Il treno va a Mosca, Federico Ferrone and Michele Manzolini come back with an editing moving on our history.
MIAC, the new Italian Museum of Moving Images is a place to recover or discover our collective imaginary, where visitors will get to know and live the history and evolution of the most powerful art, born over one century ago: the audiovisual
The Academy Museum of Motion Pictures, to be inaugurated soon, has just announced that Istituto Luce-Cinecittà has officially become one of his Founding Supporter.
The famous photographer Letizia Battaglia wipes out polemics and the ins and outs of the new movie of Franco Maresco, La mafia non è più quella di una volta
Selfie, Agostino Ferrente’s Berlinale Panorama-selected documentary, is based on real events. During the summer of 2014 at Rione Traiano, one of Naples’ most difficult neighborhoods, 16-year-old Davide Bifolco gets killed by a cop who mistakes him for a fugitive
“We’ve been very faithful to the descriptions of the book and to the drawings of Umberto Eco in the design of the set. We just took some liberty with the abbey as we decided to make it more magical and less harsh, inspired by a rich and mature gothic style.” This is how Giacomo Battiato, director of international series The Name of the Rose, comments on his work.
A train is running towards the audience, red flags wave around the stem: it’s a scene of Bernardo Bertolucci’s 1900 that was never edited and that the director gave Mario Sesti as a present after a Q&A with the Italian critic at the Rome Film Festival
Italian directors Alice Rohrwarcher and Jonas Carpignano (both jury members in Cannes) attended the event at the Italian Pavilion in Cannes for the presentation of the Cinecittà film studios
Italian Cinema at centre stage in Los Angeles with the 13th edition of Cinema Italian Style, from November 16 to 21. The Opening Night at the Egyptian Theatre hosts the US Premiere of the Italian
From the Middle East to the Far East, three big festivals – Haifa, Busan, and Tokyo – showcase a selection of Italian films
In the tenth anniversary of his death, New York pays homage to Michelangelo Antonioni with a retrospective at the Museum of Modern Art (MoMA) organized in collaboration with Istituto Luce Cinecittà
Big success for Naples ’44 shown at the Film Forum in New York. The theatrical run was scheduled from November 29 to December 12, but has now been extended after the sold-out screenings of the first few days
From December 15 to 19, the Mostra de Cinema Italià is back to Barcelona with the aim of promoting the best Italian cinema of the last year. The opening film is Manetti Bros‘ Love and Bullets
The film was presented in competition at the 64th Cannes Film Festival and received numerous honors, including a European Film Award, seven Silver Ribbons (Nastri d’Argento), and three David di Donatello awards.