Once your film is shot, it can be completed in our post-production facilities. Cinecittà’s video and audio post-production areas pride on top-level and state-of-the-art technical equipment. Color-cinema rooms, dubbing and mixing stages, together with a staff of technicians always ready to satisfy your needs, make our Post Production labs a unique reality where your product can be finalized and tended step after step.
Audio
Post-Production
Our audio post production department has been designed exclusively for all audiovisual sound services thanks to its cutting-edge dubbing and mixing stages, a staff of highly professional and experienced technicians, and a special studio for all creative needs (script adaptation, direction and dubbing), making Cinecittà Audio Post Production one of the most prestigious and avantgarde studios in Europe.
- Editorial office
An office for the creative process (script adaptation, dubbing organization with placement of directors, dubbers and assistants, ADR actors organization service + transfers).
- Audio Services
• Dubbing Studios: 4
• Mix Stages: 5 (3 Mix Theatrical, 2 of which are
• Atmos HE equipped)
• Hardware: Avid S6, Mac Pro, and the latest ProTools systems, 4K projectors
• Remote Integrations: Source Connect and Session Link for organizing dubbing shifts and remote integrations
• Available Microphones: Neumann U87, Sennheiser MKH 40, Sennheiser MKH 416,
• Schoeps CMC 6, DPA 6060, Sanken CoS 11D - Specialized Stages
– 1 5.1 editing/synchronization stage
– 6 cutting stages
– 1 5.1 QC stage and Delivery
– 2 client stages
– 2 Atmos sound design stages
– 4 5.1 sound design stages
– 1 foley studio
– Sound Supervisor and Direct Sound Recording
Head of the
Audio Department
Edoardo Luini
e.luini@cinecitta.it
Digital post-production
The renovated digital post-production department of Cinecittà boasts a top-level technical equipment that makes it possible to carry out projects at the highest quality level. The adoption of non-compressed 4K cinema pipeline makes Cinecittà digital post one of the main players on the Italian market.
- Technical equipment
• Storage System Elements SAN 1.6 PB
• Backup System No. 3 Qualstar L8 and L5 Drive 3 Cinema Color Workstations : Da Vinci Resolve 3 HDR room color workstations
• 1 conforming workstation
• 1 Burning workstation
• 4 Digital Cleaning workstations : No. 4 HP Z8 Top Performance
• 2 Scanner workstations : No. 2 ARRI SCAN XT 1
• 2 Audio Restoration workstations : all formats
Head of
Video Post-Production
Cristiano Delogu
ac.delogu@cinecitta.it
DIGITAL RESTORATION
Our audio-video post production and film restoration process is a continuous, synergistic workflow that ensures the highest quality results. From sound synchronization to color correction, every stage of the work is characterized by intense collaboration between our expert technicians and creatives. We use stateoofotheoart technology to ensure that every frame is perfect and that the audio is flawless, enhancing the final visual and auditory experience for the audience.
- Processing and Printing Equipment
Each film is carefully analyzed to identify signs of aging and damage, utilizing advanced digital techniques to eliminate scratches, dust, and other defects. our attention to detail ensures that restored works maintain their original integrity and quality, allowing new generations of viewers to experience these cinematic treasures as if they were freshly made.
• 2 ARRI SCAN XT with Archive Gate for 35/16mm, Kodak DICE (Digital Image Correction and Enhancement) option, and Defect Matte Alpha Channel Export.
• 2 BLACKMAGIC Cintel 4K Scanner with Gate for 16/35mm HDR and Audio and KeyKode option.
• 2 ARRI LASER 4K systems
• 4 DRS (Digital Restoration System) Workstations with software specifically designed for the digital restoration of films.
• ARRI Image to Sound optical Negative Scanning System. Audio Capture from All Film Formats:
• Magnetic
• Single and Dual Band Positive
• Negative using the ARRI Image to Sound system, both for 16mm and 35mm with Dolby A/SR 2ch —> 4ch decoding.
• Proprietary system for scanning the Dolby Digital SRD Negative Column, eliminating the need to print to positive.
• Westrex/Nuoptix Recorder for engraving 35mm optical negative columns.
Head of
Digital Restoration
Stefano Ballirano
s.ballirano@cinecitta.it
MOTION PICTURE PROCESSING
Full-service laboratory offering film processing, or DI finishing and workflow consultation. When shooting on film, we can take you from camera negative to delivery in all formats required for post-production, distribution, and archive.
Cinecittà also has extensive motion picture restoration experience, and with our film laboratory onsite, we create high-quality restoration masters in processes matched to archival outcomes.
Full client consultation. Services include bleach-bypass, push and pull processing, pre-production tests and sensitometric analysis.
